At twenty-two years old, Kerri Shepherd was on the verge of success. Her first novel had been published and she was preparing for a successful career as an author. All her dreams seemed to be coming true. But three years later, she still hasn't written a word. After the death of her father (a father who had abandoned the family seventeen years earlier), Kerri finds herself moving away from Toronto to the small Georgian Bay town of New Ferndale. Will the change of scenery help her overcome her writer's block? Or will she be too distracted by the men in her life; Denny (her first love), Carter (the small-town lawyer), and Duncan (her new neighbor)? And can she keep her sanity once her newly-divorced sister moves in with her? Family secrets are revealed and old wounds are exposed as Kerri realizes that love and happiness may not be the lies she always thought they were.
The bestselling author of "Too Deep for Tears" and "All We Hold Dear" continues her acclaimed Scottish saga. New to the legend is Edna Rose, Ailsa's daughter, who is more at home among the woodland animals than she is among people.
A highly original and poetic self-portrait from one of America's most acclaimed writers. Leslie Marmon Silko's new book, her first in ten years, combines memoir with family history and reflections on the creatures and beings that command her attention and inform her vision of the world, taking readers along on her daily walks through the arroyos and ledges of the Sonoran desert in Arizona. Silko weaves tales from her family's past into her observations, using the turquoise stones she finds on the walks to unite the strands of her stories, while the beauty and symbolism of the landscape around her, and of the snakes, birds, dogs, and other animals that share her life and form part of her family, figure prominently in her memories. Strongly influenced by Native American storytelling traditions, The Turquoise Ledge becomes a moving and deeply personal contemplation of the enormous spiritual power of the natural world-of what these creatures and landscapes can communicate to us, and how they are all linked. The book is Silko's first extended work of nonfiction, and its ambitious scope, clear prose, and inventive structure are captivating. The Turquoise Ledge will delight loyal fans and new readers alike, and it marks the return of the unique voice and vision of a gifted storyteller.
Maya and Rebecca Ward are both accomplished physicians, but that's where the sisters' similarities end. As teenagers, they witnessed their parents' murder, but it was Rebecca who saved Maya from becoming another of the gunman's victims. The tragedy left Maya cautious and timid, settling for a sedate medical practice with her husband, Adam, while Rebecca became the risk taker. After a devastating hurricane hits the coast of North Carolina, Rebecca and Adam urge Maya to join them in the relief effort. To please her husband, Maya finally agrees. She loses herself in the care and transport of victims, but when her helicopter crashes into raging floodwaters, there appear to be no survivors. Forced to accept Maya is gone, Rebecca and Adam turn to one another—first for comfort, then in passion—unaware that, miles from civilization, Maya is injured and trapped with strangers she's not certain she can trust. Away from the sister who has always been there to save her, now Maya must find the courage to save herself—unaware that the life she knew has changed forever.
As the full effects of human activity on Earth's life-support systems are revealed by science, the question of whether we can change, fundamentally, our relationship with nature becomes increasingly urgent. Just as important as an understanding of our environment, is an understanding of ourselves, of the kinds of beings we are and why we act as we do. In Loving Nature Kay Milton considers why some people in Western societies grow up to be nature lovers, actively concerned about the welfare and future of plants, animals, ecosystems and nature in general, while others seem indifferent or intent on destroying these things. Drawing on findings and ideas from anthropology, psychology, cognitive science and philosophy, the author discusses how we come to understand nature as we do, and above all, how we develop emotional commitments to it. Anthropologists, in recent years, have tended to suggest that our understanding of the world is shaped solely by the culture in which we live. Controversially Kay Milton argues that it is shaped by direct experience in which emotion plays an essential role. The author argues that the conventional opposition between emotion and rationality in western culture is a myth. The effect of this myth has been to support a market economy which systematically destroys nature, and to exclude from public decision making the kinds of emotional attachments that support more environmentally sensitive ways of living. A better understanding of ourselves, as fundamentally emotional beings, could give such ways of living the respect they need.
This inspiring memoir by a storyteller who lost his voice, and gained some unexpected wisdom, is “nothing less than a spiritual odyssey” (San Francisco Chronicle). “Heartwarming and smart and wonderfully written,” this is that rare, magical book—a book that tells a good story, but also shows us how the tales we learned when we were children shed light on our adult lives (Detroit Free Press). An award-winning professional storyteller, Joel ben Izzy had the unusual opportunity to relive those lessons when he lost his voice after undergoing surgery for thyroid cancer, and reconnected with his old teacher, Lenny. Through his meetings with Lenny, Joel rediscovers the wisdom of ancient tales and takes us on a journey into a world of beggars and kings, monks and tigers, lost horses and buried treasures—and in the end tells us the secret of happiness. “This is a beautiful book full of old tales—from China, India, Persia, Jerusalem—that help storyteller Joel ben Izzy through dark times of silence and back into light and sound once more. Wonderful!” —Grace Paley “Heartfelt . . . This brief book speaks to people in trouble. It provides edifying advice, intimately given, like the best-selling Tuesdays with Morrie.” —TheDallas Morning News “What a gift, what a blessing, funny, brilliant, wise.” —Anne Lamott
A provocative and unsettling look at the nature of love and deception Is it possible to love well without lying? At least since Socrates's discourse on love in Plato's Symposium, philosophers have argued that love can lead us to the truth—about ourselves and the ones we love. But in the practical experience of erotic love—and perhaps especially in marriage—we find that love and lies often work hand in hand, and that it may be difficult to sustain long-term romantic love without deception, both of oneself and of others. Drawing on contemporary philosophy, psychoanalysis and cognitive neuroscience, his own personal experience, and such famed and diverse writers on love as Shakespeare, Stendhal, Proust, Adrienne Rich, and Raymond Carver, Clancy Martin—himself divorced twice and married three times—explores how love, truthfulness, and deception work together in contemporary life and society. He concludes that learning how to love and loving well inevitably requires lying, but also argues that the best love relationships draw us slowly and with difficulty toward honesty and trust. Love and Lies is a relentlessly honest book about the difficulty of love, which is certain to both provoke and entertain.
Now a major Lifetime movie event—Book Three of the Dollanganger series that began with Flowers in the Attic—the novel of forbidden love that captured the world’s imagination and earned V.C. Andrews a fiercely devoted fanbase. They hide the shocking truth to protect their children. But someone who knows their dark secret is watching. Christopher and Cathy have made a loving home for their handsome and talented teenager Jory, their imaginative nine-year-old Bart, and a sweet baby daughter. Then an elderly woman and her strange butler move in next door. The Old Woman in Black watches from her window, lures lonely Bart inside with cookies and ice cream, and asks him to call her “grandmother.” Slowly Bart transforms, each visit pushing him closer to the edge of madness and violence, while his anguished parents can only watch. For Cathy and Chris, the horrors of the past have come home…and everything they love may soon be torn from them.
The Victorian fascination with fairyland is reflected in the literature of the period, which includes some of the most imaginative fairy tales ever written. They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its ability to reflect our deepest concerns. The stories in this selection range from pure whimsy and romance to witty satire and darker, uncanny mystery. Paradox proves central to a form offered equally to children and adults. Fairyland is a dynamic and beguiling place, one that permits the most striking explorations of gender, suffering, love, family, and the travails of identity. Michael Newton's introduction and notes explore the literary marketplace in which these tales appeared, as well as the role they played in contemporary debates on scepticism and belief. The book also includes a selection of original illustrations by some of the masters of the field such as Richard Doyle, Arthur Hughes, and Walter Crane.